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媒介難忘——電影媒介的美學分析
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國家留學基金項目(留金發2018-3058)


On the Aesthetics of Film Media
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    摘要:

    媒介本質論將藝術形式與藝術媒介本質地連接在一起,認為創作、欣賞與評價等活動都應該立足于媒介的特性來進行;經典電影研究自覺地繼承和發揚了以上命題。以卡諾爾為代表的后來者,主張在電影研究中“忘掉媒介”,認為媒介只是工具,它不能限制藝術。但也有研究者并未放棄對藝術媒介的理論維護,例如高特,他將媒介的理論價值用三個媒介特殊論命題系統地呈現了出來,我們在認識、解釋、評價和創造藝術品時,應立足于其特殊的媒介特性。而如果站在更為寬廣的大眾媒介的理論視野來理解電影與媒介,認識到電影作為大眾藝術代表的地位,則能夠合理地融匯卡諾爾與高特之間的二律背反。

    Abstract:

    Medium essentialism holds that there are natural relationships between art forms and art media, which can control the artistic production, appreciation, evaluation and so on. Classical film theory was influenced by these propositions which were deeply criticized by some contemporary theorists, such as Carroll who wanted to overturn the medium essentialism. On the contrary, there are some researchers who would like to restructure the art medium theory, such as Gaut who re-clarified it through three medium specificity arguments. But if we reconsider the realms of both film and medium, we can reconcile the superficial contradiction.

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江渝.媒介難忘——電影媒介的美學分析[J].重慶郵電大學學報(社會科學版),2019,31(6):132-138

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  • 收稿日期:2019-03-19
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  • 在線發布日期: 2019-12-03

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